SCIENCE - BOON OR BANE

Today, science has such a lot concerned in our life that it's extremely laborious to imagine living while not the science. each a part of life whether or not it's food or recreation is expounded to science and its varied ways that. to make a {decision|to come to a decision|to make your mind up|to choose|to determine} that whether or not science may be a boon or a curse for human race isn't a straightforward decision.

We should 1st explore for the precise that means of science. a scientific classification of experiences is named as scientific. we tend to surprise over and over at varied events happening around U.S.A. because of technology and science. we tend to get doubts; what area unit they? These issues area unit the first seed product for technology. 1st begin from thinking, reasoning, research, features, analysis and distinction and in conclusion the actual fact comes out.

According to Scientists, there's a methodology for everything and there area unit inevitable actions to be followed:

(1) Statement

(2) Speculation

(3) Experiment

(4) thought and

(5) proof.

All researchers have in a very means followed this methodology.

The basic aim of Science is to appear for reality and to seek out those factors, formally uncommon. A somebody cannot settle for the principles, sometimes because; they were accepted by others at one time. nice discoveries area unit continually returning from reasoning. lots of determination and observation area unit needed. Civilization, because it is nowadays, conjointly came from various discoveries that were created within the field of Science.

Electricity may be a main supply of energy has revolutionized the planet. Science has created medical field enough advanced that nowadays the common lifetime of a personality's being has raised to ninety years. Science conjointly worked for vegetation furthermore and currently we've enough food for all.

We have enough article of clothing and higher security too. This all became attainable thanks to science and technology. Computers, Cell phones, TV and Radios area unit all merchandise of Science. So, it's terribly simple to conclude that Science is helpful for humankind.

There is conjointly another facet of the coin. harmful weapons like guns, rifles, atom bombs etc. are came from Science. it's science that gave U.S. differing types of power like electrical power and nuclear energy. If of these powers and weapons aren't employed in a negative means, there's nothing to concern. But, sadly these all powers area unit destructing our Earth. will associateyone suppose that there are not any possibilities of such atrocious destruction of an Republic of Iraq again? If it happens, however is science helpful for mankind?

Man may be a logical being. it's attainable for everybody to save lots of himself from the chances. solely through this fashion, he will win and management everybody on the world. solely knowledge will facilitate a person to beat the globe. Science while not conscience is death of the soul.

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Dr. Mahesh Mangalick, Ph.D.
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Ila Jari
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Indian Dance Styles

Dance in India includes the various forms of dances within the country. like different aspects of Indian culture, completely different kinds of dances originated in several components of India, developed in keeping with the native traditions and conjointly imbibed parts from different components of the country. Sangeet Natak Akademi, the national academy for humanities, acknowledges eight distinctive ancient dances as Indian classical dances, which could have origin in spiritual activities of distant past.

Folk dances ar various in variety and elegance, and vary in keeping with the native tradition of the individual state, ethnic or geographic regions. modern dances embrace refined and experimental fusions of classical, folks and Western forms. terpsichore traditions of Bharat have influence not solely over the dances within the whole of South Asia, however on the terpsichore kinds of South East Asia also. Dances in Indian films ar usually noted for his or her idiosyncrasies, and hold a major presence in widespread culture of the Indian landmass.

• Kathak 

Kathak (Hindi: कथक, Urdu: کتھک) is one of the eight manifestations of Indian traditional move. This move structure follows its sources to the roaming minstrels of aged northern India, known as Kathakars or storytellers. Its structure today contains hints of sanctuary and custom moves, and the impact of the bhakti development. From the sixteenth century onwards it consumed certain gimmicks of Persian move and focal Asian move which were foreign made by the imperial courts of the Mughal period.

The name Kathak is inferred from the Sanskrit word katha significance story, and katthaka in Sanskrit implies he who recounts a story, or to do with stories. The name of the structure is appropriately कत्थक katthak, with the geminated dental to demonstrate an inferred structure, yet this has since disentangled to advanced कथक kathak. kathaa kahe so kathak is an adage numerous instructors pass on to their students, which is for the most part deciphered, she/he who recounts a story, is a kathak', however which can likewise be interpreted, 'that which recounts a story, that is 'Kathak'.

There are three significant schools or gharana of Kathak from which entertainers today for the most part draw their genealogy: the gharanas of Jaipur, Lucknow and Varanasi (conceived in the courts of the Kachwaha Rajput lords, the Nawab of Oudh, and Varanasi individually); there is additionally a less conspicuous (and later) Raigarh gharana which amalgamated procedure from each of the three former gharanas yet got to be well known for its own part

• Kuchipudi

Dating back to ordinal century BCE it's a classical dance from the South Indian state of Andhra Pradesh. Kuchipudi is that the name of a village within the Divi Taluka of avatar district that borders the Bay of geographic region and additionally the last name of the resident Brahmins active this ancient dance kind, it noninheritable the current name. The performance typically begins with some stage rites, once that every of the character comes on to the stage and introduces him/herself with a dharavu (a tiny composition of each song and dance) to introduce the identity, set the mood, of the character within the drama. The drama then begins. The dance is amid song that is usually Carnatic music. The singer is amid mridangam, violin, flute and also the tambura. Ornaments worn by the artists area unit typically fabricated from a lightweight weight wood known as Boorugu.

• Bhangra

Bhaṅgṛā (Punjabi: ਭੰਗੜਾ (Gurmukhi), بھنگڑا (Shahmukhi); pronounced [pə̀ŋɡɽaː]) Listen refers to several types of dance originating from the Punjab region of the Indian subcontinent.The earliest developed of these was a folk dance conducted by Punjabis in the central northern areas of the region to celebrate the harvest, and whose general practice had ended by the Partition, 1947.


In the 1950s, a new folk dance, representative of the state of Punjab and composed of glimpses of men's Punjabi dance styles, was created and eventually received the title of bhangra. First developed in India and attaining a rather standardized form by the 1980s, the folkloric bhangra was exported to other countries by Punjabi emigrants. By the 1990s, a still newer style of dance called bhangra was being staged in the Punjabi Diaspora, often characterized by a fusion with Western dance styles and the use of prerecorded audio mixes. Aside from these specific dance genres, Punjabi dancing in general, especially when done to popular bhangra music, is often casually called "bhangra".

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Dr. Mahesh Mangalick, Ph.D.
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Tel: 908-329-4410
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Education and Performing Arts Specialist
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Email: ila@talentlearningcenter.com

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KNOWLEDGE IS POWER

Typical representations could be utilized to show significance and might be considered an element process. Consequently the exchange of the typical representation could be seen as one attribution process whereby information might be exchanged. Different types of correspondence incorporate perception and impersonation, verbal trade, and sound and feature recordings. Logicians of dialect and semioticians build and break down speculations of learning exchange or communication.

While numerous would concur that a standout amongst the most general and huge apparatuses for the exchange of learning is composing and perusing (of numerous sorts), contention over the helpfulness of the composed word exists in any case, with a few researchers distrustful of its effect on social orders. In his gathering of expositions Technopoly, Neil Postman shows the contention against the utilization of composing through a portion from Plato's work Phaedrus (Postman, Neil (1992) Technopoly, Vintage, New York, pp 73). In this portion the researcher Socrates relates the story of Thamus, the Egyptian lord and Theuth the creator of the composed word. In this story, Theuth presents his new innovation "written work" to King Thamus, telling Thamus that his new creation "will enhance both the shrewdness and memory of the Egyptians" (Postman, Neil (1992) Technopoly, Vintage, New York, pp 74). Ruler Thamus is incredulous of this new creation and rejects it as a device of memory as opposed to held information. He contends that the composed word will contaminate the Egyptian individuals with fake information as they will have the capacity to accomplish truths and stories from an outside source and will never again be compelled to rationally hold vast amounts of learning themselves (Postman, Neil (1992) Technopoly, Vintage, New York,pp 74).

Established early current hypotheses of learning, particularly those propelling the compelling induction of the logician John Locke, were built verifiably or expressly in light of a model of the psyche which compared thoughts to words. This similarity in the middle of dialect and thought established the framework for a realistic origination of information in which the brain was dealt with as a table (a compartment of substance) that must be loaded with realities diminished to letters, numbers or images. This made a circumstance in which the spatial arrangement of words on the page conveyed extraordinary cognitive weight, to such an extent that instructors gave careful consideration to the visual structure of data on the page and in record books.

Media scholars like Andrew Robinson underline that the visual portrayal of information in the present day world was frequently seen as being "more genuine" than oral learning. This plays into a longstanding scientific thought in the Wester erudite convention in which verbal correspondence is for the most part thought to fit the spread of deceptions to the extent that composed correspondence. It is harder to save records of the things that were said or who initially said it – typically not the source or the substance could be confirmed. Prattle and bits of gossip are samples common in both media. As to the benefit of composing, the degree of human information is presently so extraordinary, and the individuals intrigued by a bit of learning so differentiated in time and space, that written work is viewed as integral to catching and offering it.

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Dr. Mahesh Mangalick, Ph.D.
Director
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Education and Performing Arts Specialist
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Email: ila@talentlearningcenter.com

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VARIOUS DANCE FORMS

Traditional Jazz

Dixieland music or New Orleans Jazz, in some cases alluded to as Hot jazz or Early Jazz, is a style of jazz music which created in New Orleans at the begin of the twentieth century, and was spread to Chicago and New York City by New Orleans groups in the 1910s.

Well-known jazz standard melodies from the Dixieland period, for example, "Bowl Street Blues" and "When the Saints Go Marching In", are known even to non-jazz fans. With its beginnings in Dixieland and Riverboat jazz, and movement to Chicago-style jazz or hot jazz as created by Louis Armstrong and others, Chicago-style jazz or hot jazz was likewise a move and mixture of 2-beat to 4-beat, presenting Swing in its soonest structure.

Hot jazz or Chicago-style jazz was additionally the current unique music that started the Lindy Hop move fever as it created in Harlem.

Folk Dance

People moves are moves that impart some or the majority of the accompanying characteristics:

Moves performed at social capacities by individuals with almost no expert preparing, regularly to customarily based music.

Moves not for the most part intended for open execution or the stage, however they might later be organized and set for stage exhibitions.

Execution ruled by an inherited custom instead of development (however society customs change about whether)

New dance specialists regularly learn casually by watching others and/or getting assistance from others.

All the more dubiously, some individuals characterize society moving as moving for which there is no representing body or moving for which there are no focused or expert foundations. The expression "society move" is frequently connected to moves of authentic imperativeness in European society and history; regularly beginning before the twentieth century. For different societies the expressions "ethnic move" or "conventional move" are off and on again utilized, despite the fact that the last terms may include formal moves.

There are various present day moves, for example, hip jump move, that advance spontaneously, however the expression "society move" is for the most part not connected to them, and the expressions "road move" or "vernacular move" are utilized. The expression "society move" is held for moves which are to a noteworthy degree bound by convention and started in the times when the refinement existed between the moves of "normal people" and the moves of the "high society".

Hip Hop Dance

Hip-Hop move alludes to road move styles fundamentally performed to hip-bounce music or that have advanced as a component of hip-bounce society. It incorporates an extensive variety of styles basically breaking, bolting, and popping which were made in the 1970s and made prominent by move teams in the United States. The network show Soul Train and the 1980s movies Breakin', Beat Street, and Wild Style showcased these groups and move styles in their initial stages; subsequently, giving hip-bounce standard presentation. The move business reacted with a business, studio-based adaptation of hip-bounce in some cases called "new style"—and a hip-jump affected style of jazz move called "jazz-funk". Traditionally prepared dance lovers created these studio styles with a specific end goal to make choreography from the hip-jump moves that were performed in the city. Due to this advancement, hip-bounce move is honed in both move studios and outside spaces.

The commercialization of hip-jump move proceeded into the 1990s and 2000s with the generation of a few other TV programs and motion pictures, for example, The Grind, Planet B-Boy, Rize, Streetdance 3d, America's Best Dance Crew, Saigon Electric, the Step Up film arrangement, and The LXD, a web arrangement. In spite of the fact that the move is secured in excitement, incorporating mellow representation in theater, it keeps up a solid vicinity in urban neighborhoods which has prompted the production of road move subordinates Memphis jookin, turfing, jerkin', and krumpin

Contact Us:

Dr. Mahesh Mangalick, Ph.D.
Director
Tel: 908-329-4410
Email: Mahesh@talentlearningcenter.com

Ila Jari
Education and Performing Arts Specialist
Tel: 469-449-4084
Email: ila@talentlearningcenter.com

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